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The quietly assesses cirque du soleil bustling perpetual-motion cirque tickets evaluates strings in the first work that brought Adams into the spotlight, "Shaker Loops," definitely spring from similar passages in Sibelius' Fourth and Fifth symphonies. Sibelius also infiltrated Philip Glass; in "Floe" (from the "Glassworks" album), Glass explicitly paraphrases the big swaying tune for the horns in the third movement of the Fifth Symphony as the basis for the piece's climax. Further, Sibelius' still, tremulous wind-scapes can be seen as a precedent for the drifting clusters of Ligeti, and the wildly surging chromatic storms he churns up in "Tapiola" and the prelude to "The Tempest" can amaze even the most shock-proof new-music audiences. Examples such as these raise questions anew as to who should be considered progressive and who gets to decide. On another front, although Sibelius has always been seen as the decisive starting point for Finnish music, few could have predicted how extensively the seeds that he planted would spread. With all-out support from the Finnish government, the Sibelius Academy (known as the Helsinki Music Institute when he studied there) produced one generation of composers and performers after another, each wave rippling farther than the previous one. The latest has taken over a good portion of today's new-music scene -- Kaija Saariaho, Jouni Kaipainen, Magnus Lindberg, Salonen himself. Their triumph can also be seen as Sibelius' ironic posthumous triumph, his musical great-grandchildren who once disdained him now reclaiming Finland's leadership role. Entering his worldThere are a couple of newly released DVDs that take us into Sibelius' world -- his dark, woodsy home, Ainola, in Järvenpää and its wintry surroundings. One, the fourth episode from the high-toned 13-part travelogue "Classical Destinations" (EMI Classics), offers a fascinating tour inside Ainola; reminiscences by Sibelius' granddaughter; and a brief tribute from composer Einojuhani Rautavaara, though not much of Sibelius' own music. Christopher Nupen's 1984 documentary, "Jean Sibelius" (Allegro), probes far more profoundly into the subject, lingering lovingly over still and panned visions of the Finnish forests and lakes while the soundtrack pulsates with plenty of highly charged Sibelius performances from Vladimir Ashkenazy and the Swedish Radio Symphony.

Nupen's film accurately captures the solitary essence of Sibelius in its mix of sound and vision -- and it triggered thoughts of my own most memorable Sibelius experience. It happened on an airplane trip from Germany to New York toward the close of winter cirque du soleil saltimbanco . From a window seat, I could stare at the white, apparently barren coast of Labrador, quickly giving way to the ice-choked mouth of the St cirque soleil . Lawrence Seaway and the snow-blanketed Gaspé Peninsula of Quebec cirque . Wearing those tinny headsets that the airlines provide, I could just make out over the jet noise a thrilling recording of Eugene Ormandy and the Philadelphia Orchestra playing Sibelius' "Lemminkainen's Homeward Journey. "It was a journey like no other I have experienced, the fast-tracking music hurtling through the icy wastes, perfectly evoking the arctic landscape below that in turn made the music even more powerful cirque du solei . The forbidding winter-scape reinforced and amplified the images and feelings that I had always perceived in his music -- the rugged chill, the sense of isolation, the sturdy drive of an iconoclast who always charted his own path. Sibelius was still out of fashion at the time (1984), and his reputation would not be on the rise again until the next decade. But at 37,000 feet, he couldn't have been more timely -- and timeless. --Los Angeles PhilharmonicWhere: Walt Disney Concert Hall, 111 S Grand Ave. , L. A. When: 12:30 p. m. todayPrice: FreeContact: (213) 850-2000 or grandavenuefestival AlsoWhen: 11 a. m SaturdayPrice: $18When: 8 p. m Oct 12; 2 p. m Oct 14 and 15; 8 p. m Oct 18; 11 a Cirque Du Soleil . m Oct 19; 8 p. m Oct 20; 2 p. m Oct 21; 8 p. m Oct.

25 and 26Price: $40 to $142Contact: (213) 850-2000 or laphil. orgEntering his worldThere are a couple of newly released DVDs that take us into Sibelius' world -- his dark, woodsy home, Ainola, in Järvenpää and its wintry surroundings. One, the fourth episode from the high-toned 13-part travelogue "Classical Destinations" (EMI Classics), offers a fascinating tour inside Ainola; reminiscences by Sibelius' granddaughter; and a brief tribute from composer Einojuhani Rautavaara, though not much of Sibelius' own music. Christopher Nupen's 1984 documentary, "Jean Sibelius" (Allegro), probes far more profoundly into the subject, lingering lovingly over still and panned visions of the Finnish forests and lakes while the soundtrack pulsates with plenty of highly charged Sibelius performances from Vladimir Ashkenazy and the Swedish Radio Symphony circus du soleil Cirque Du Soleil - cirquedusoleil . Nupen's film accurately captures the solitary essence of Sibelius in its mix of sound and vision -- and it triggered thoughts of my own most memorable Sibelius experience. It happened on an airplane trip from Germany to New York toward the close of winter cirque soliel . From a window seat, I could stare at the white, apparently barren coast of Labrador, quickly giving way to the ice-choked mouth of the St . Lawrence Seaway and the snow-blanketed Gaspé Peninsula of Quebec. Wearing those tinny headsets that the airlines provide, I could just make out over the jet noise a thrilling recording of Eugene Ormandy and the Philadelphia Orchestra playing Sibelius' "Lemminkainen's Homeward Journey Cirque Du Soleil - cirquedusoleil . "It was a journey like no other I have experienced, the fast-tracking music hurtling through the icy wastes, perfectly evoking the arctic landscape below that in turn made the music even more powerful. Cirque Du Soleil tickets The forbidding winter-scape reinforced and amplified the images and feelings that I had always perceived in his music -- the rugged chill, the sense of isolation, the sturdy drive of an iconoclast who always charted his own path. Sibelius was still out of fashion at the time (1984), and his reputation would not be on the rise again until the next decade .